Saturday, June 18, 2011
MUSIC LAB - ONLINE!
ANMT's sixth annual MUSICAL THEATRE BOOT CAMP presents:
MUSIC LAB - ONLINE!
Instructor: Philip Seward
Make your own schedule!
THIS COURSE IS OFFERED COMPLETELY ONLINE
Course Fee: $495 (Early Bird/ANMT Member Fee: $495)
A concentrated version of the full Music Lab curriculum offered as part of ANMT's Core Curriculum program, with a unit a week instead of a unit a month. (If you're planning to take the Core program, this course will fulfill your Lab requirement).
Write and format your musical professionally.
Videos, tests, exercises and interactive assignments on the craft of composing for musical theatre, from Columbia College professor Philip Seward. Topics include:
Setting a lyric
Creating a Piano Arrangement
Finding a rhythm in a lyric and using it to develop a melody
Creating a lead sheet (chord symbols and melody)
Working with a hook
Key signatures & accidentals
Driving melodically toward theclimax of the song
Supporting the melody with a piano accompaniment
When to modulate
Composing Incidental Music
Composing for the music theatre voice (head voice, chest voice, belt, legit, timbre)
Formatting a Score: Dynamics, Expressive Markings, Pedaling, Rehearsal Marks, etc.
Vamps; safeties; jump cue; out on
Formatting voice parts
Integrating Script and Score
Only during the summer - this online Lab is available for the ANMT Member price of $495.
To register (or for more info) - CLICK HERE
Philip Seward lists among his operatic and musical works, NIMUE (premiered 2007 in Edinburgh, Scotland), DOWNTOWN (2007 at Stages Festival in Chicago), SINCERELY YOURS (2003), JUAN PERON'S HAND (2002) at the Northtown Arts Center; HIGH FIDELITY (1998) Chicago Humanities Festival and (1999) Merkin Hall in New York; SPREADING THE NEWS (1998) at North Park University; HANS BRINKER (1994) at Theatre Building Chicago which was also a recipient of several Jeff Citations and an After Dark Award; the youth operas AFRICAN STORIES (2007), A NOTEWORTHY TALE (2002) and STONE SOUP (2001) commissioned by Lyric Opera of Chicago; BLESSING (2003) for the Lira Chamber Chorus; and PSALM 8 (1997) commissioned by the Lyric Opera Chapters. He is currently an Artist-in-Residence at Columbia College Chicago, co-conductor of the Lira Ensemble of Chicago, music director at St. James Presbyterian Church in Chicago, and he has served both as a free-lance conductor and performer for many ensembles, musical shows and operas.